Hybrid 3.0 is the next generation in synthesis. This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds — a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.
1200+ Built-In Sounds.
Hybrid 3.0 comes with over 1,200 inspirational presets designed to jumpstart the creative process. Over 200 new patches, designed by the acclaimed AIR sound designers, include everything from wobbles, synth pads, arpeggios, poly synths, basses, leads, sequences, and much more. Hybrid veterans will be pleased to find that the familiar Hybrid 2.0 presets have been completely reworked, allowing users to experience their favorite sounds with all the sonic improvements of Hybrid 3.0. If you’re prone to tweaking, Hybrid 3.0 is loaded with a comprehensive set of user-adjustable parameters that let you create unique sounds and fine-tune them to taste. With support for two simultaneous parts (i.e. a powerful combination of two separate, 3-oscillator synthesizers), you can layer, split, or spread sounds to produce deep, complex, and wide patches. Plus, the simple patch browser makes it easy to find the preset you’re looking for and allows you to load two presets simultaneously, one into each part, for experimenting with rich timbres and playing multi-patch sounds.
With three versatile oscillators and a sub oscillator per part, Hybrid 3.0 is capable of stacking multiple oscillators together for huge pads, leads, basses, and more. Two multifunctional oscillators can recreate the classic subtractive-synthesis waveforms for a dose of analog nostalgia. In addition, these oscillators feature algorithms for digital wavetables. As a result, users can choose from nine different modes, including the Multi-Square waveform, Saw Sync, Saw Cross Modulation (which modulates the pitch of a saw wave with the output of a triangle wave for complex tones), Saw Multi (a stack of seven saws in unison), Square Sync, Square Cross Modulation, Square Pulse Width Modulation (PWM), and Wavetable. Hybrid 3.0 offers 100 wavetables with up to 64 single-cycle waveforms each. A third oscillator includes saw, square, or triangle waves, plus a noise generator and a sub oscillator for deep bass effects.
LFOs Hybrid 3.0 includes four LFOs per part: two monophonic, one polyphonic, and one special Pump LFO. Use the LFOs to modulate pitch, loudness, or cut-off to produce vibrato, tremolo, or electronic sweeps. Choose from eight modulation types, ranging from sine and triangle waves to random.
Dual Filtering and Saturation Modes.
Hybrid 3.0 features two multi-mode filters that can run in series or in parallel. In addition, the filters can be assigned one per channel to the stereo outputs, or set so that Oscillator 1 feeds Filter 1, with the remaining Oscillators being routed to Filter 2. Both of the filters offer your choice of DCF (Digitally Controlled Filter) or VCF models. The vintage Voltage Controlled Filter (VCF) makes it easier than ever to achieve those fat, retro synth sounds of the ’70s and ’80s. This sound filter brings the legendary soft and fat warmth of classic analog synth hardware filters to Hybrid 3.0.
Use the revolutionary multimode filters to control the tone color of a part by removing or accenting certain frequencies. Choose from an extensive collection of 23 modes. Then dial in the filter cut-off, velocity, and key tracking. Use the resonance dial to change the tone from a nasal sound to a ringing tone by emphasizing frequencies around the cut-off and generating self-oscillation. A blend of the third oscillator and noise generator can serve as an audio modulation source for filter cut-off, producing distinctive electronic audio effects.
To add some serious edge, adjust the filter saturation. Hybrid 3.0 offers the original Overdrive filter, which creates a soft tube-like clipping and includes five additional filter saturation modes: Distort, which creates a harder, brighter clipping; Hard Clip, which creates a very hard and bright transistor-like clipping; Rectify, which creates a gentle distortion that retains the character of the input signal; Bit Crush, which creates deliberate aliasing by reducing the bit depth; and Resample, which creates deliberate aliasing by reducing the sample rate.
Hybrid 3.0 includes four LFOs per part: two monophonic, one polyphonic, and one special Pump LFO. Use the LFOs to modulate pitch, loudness, or cut-off to produce vibrato, tremolo, or electronic sweeps. Choose from eight modulation types, ranging from sine and triangle waves to random, “drift,” and sample-and-hold modulation. Change the depth, rate, phase, and sync mode to quickly and dramatically alter the sound.
Pump is a special type of envelope that simulates studio side-chaining to create the pumping-and-breathing effect. In the case of Hybrid 3.0, this rhythmic effect can be applied to much more than the overall mix. The Pump LFO can be routed to create a rhythmic effect on a variety of specific parameters, such as pitch or filter settings.
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Hybrid Tools Vol. 3 contains over 4.5GB of content and more then 2.100 hand-crafted sonic gems. Hybrid Tools Vol. 3 contains 16 different core sound classes. We designed a wide selection of common hybrid sounds (ex Boomers, BPM Synced Grooves / Pulses, Drones, Risers, Wooshes), but also created a variety of new types based on the most current and upcoming trends in the cinematic world Drastic Lines, Epic Tonal Bends, Epic Drum Kits, Levitations, Lights, Psychological Signature Sounds etc).
All the content comes in a gorgeous 3D rendered interface, which includes a built-in mini-browser for instant access to all the sounds. The interface contains our custom developed FX 3.0 CHAOS Engine and REVERSE feature. The new FX engine contains over 80,000 lines of code and is one of the most flexible. Whether you need a trance gate, step-sequencer, delays, filters, EQ, dual convolution-reverb, delays and a very important set of key- and macro controls.
Hybrid Tools 3 is also fully integrated with META-DATA designed for Soundminer etc.
3D Rendered Interface and Tempo-Sync
Hybrid Tools 3 is contains an intuitive and functional 3D rendered user-interface Whether you want to use the internal mini-browser, which contains the entire library or randomize over 1.500 sample parameters with a single click of our CHAOS button. Whether you want to REVERSE all the sounds or go half, normal or double tempo on our BPM synced groove pulses. It is all there – all within a click.
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New Mini-Browser and REVERSE feature
Hybrid Tools 3 is built around an internal mini-browser that allows you to access all sounds immediately. All the 16 core sound classes come preloaded in the browser. The mini-browser also contains all sub-banks (for example we have 7 of the BPM synced groove pulses). The library also contains a unique REVERSE function that allows you to reverse any bank with a single click. Everything is right at your finger tips, so you can get back to making music.
New 3.0 FX CHAOS Engine
Our new 3.0 FX CHAOS Engine is the most extreme feature in Hybrid Tools. The 3.0 FX CHAOS Engine allows you to make over 1.500 sample parameters randomize with one click, while also randomizing our new 8Dio FX System. So both the sample content and the assigned FX will be randomized in one glorious cocktail. The great thing about the CAGE The Chaos Engine is that you can control how many chaos you want – from a little cosmetic.
Meta-data & Sound Miner
Hybrid Tools Vol. 3 comes complete meta-tagged and in 44.1 / 24 bit open .wav format. The tags all the elements needed to know and use the sounds outside the Kontakt environment. Sound designers and editors will quickly be able to find the proper sounds through deep descriptors such as Hybrid, Cinematic, Whoosh, Fly By, Doppler, Riser and a variety of common tags used for sound design, movie and trailer production.
Hybrid Tools Vol. 3 is the largest production tool for epic music and sound design – a tool for composers and sound designers. Hybrid Tools is featured in the majority of current blockbuster movies, shows and video games – used by composers such as Brian Tyler (ex Thor, Ironman 3), Blake Neely (ex Mentalist, Arrow), Charlie Clouser (ex. NiN, Saw Series), Richard Marvin (ex Grimm, 6 Feet Under), Paul Haslinger (ex. Underworld Series, Tangerine Dream), Neal Acree (ex. WoW, Starcraft II, Diablo 3) and hundreds of other prominent producers and composers.
* Ultimate production tool for epic music & sound design
* + 4.5GB of brand new content and 16 core sound classes
* +80.000 lines of custom code for new FX 3.0 system
* Instant REVERSE and CHAOS features
* Booms, Drastic Lines, Drones, Epic Bends
* Epic Boom Kit, Levitations, Lights
* Hundreds of BPM Synced GRoove Pulses
* Markers, Risers, Psychological Sounds
* Titanic Taikos, Tonals, Unisons and Wooshes
* +80.000 Lines of Custom Code
Publisher : 8Dio
Website : 8Dio
Format : KONTAKT 5.6.6
Quality : 24 bit 44.1 kHz stereo
Changes : All samples are converted to .ncw format and packed in containers