Max 7 Pitch and Time Machines includes the following devices, grouped by category: Sample Playback. Classic Player – A standard stereo/dual-mono sample player. This device uses the groove object without pitch/time corrections. It features the basic patch structure used in some other more complex examples. Get Auto-Tune Evo by Antares and learn how to use the plugin with Ableton Live, Logic, GarageBand, and FL Studio for free. Get Auto-Tune Evo by Antares and learn how to use the plugin with Ableton Live, Logic, GarageBand, and FL Studio for free. Please try again or contact [email protected] Nov 04, 2017 How to Sound Like Post Malone (Ableton Live 9) How to Sound Like Post Malone (Ableton Live 9). Battle of the Auto Tune Plugins Which auto tune plugin is the best? - Duration: 16:35.
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With the release of Max 7, Cycling ‘74 introduced a number of new capabilities to the venerable visual programming language. Among the many innovations are a several objects and devices that offer new possibilities in real-time intonation, pitch and time correction. Since Max for Live (as of Live 9.2) is based on Max 7, we wanted to highlight some of the new devices Cycling ‘74 introduced with Max 7 in the form of this convenient, free Pack for all Max for Live users.
Max 7 Pitch and Time Machines includes the following devices, grouped by category:
Classic Player – A standard stereo/dual-mono sample player. This device uses the groove~ object without pitch/time corrections. It features the basic patch structure used in some other more complex examples.
PitchTime Player – A stereo/dual-mono sample player with pitch and time correction. This device introduces some settings which control the pitch and time correction feature.
PitchCorrect Player – A stereo/dual-mono sample player with pitch and formant correction. This device introduces some settings which control pitch and formant correction.
Synced Player – A stereo/dual-mono sample player synced to transport. This device uses the time/pitch correction feature of the groove~ object in order to play in sync with Max or Live's transport.
Bit Player – A sequence-able sample player, synced to transport. This device allows for re-ordering sample playback in sync with Max or Live's transport.
Sampler Instrument – A polyphonic sampler instrument with time-stretching. This device uses the time/pitch correction feature of the groove~ object in a MIDI instrument structure. The DSP part of the patch is embedded into a poly~ container, allowing you to load an open number of instances of a patcher file, and thus allows the use of polyphonic audio synthesis, audio processing, or even control tasks.
Simple Pitch Shifter – A simple stereo pitch shifter. This device uses the pitchshift~ object to perform sound transposition.
Pitch&Vibrato – Stereo pitch shifter with vibrato. This device uses the pitchshift~ object to perform sound transposition. We've added a double LFO which acts as a pitch vibrato.
Pitch&Echo – Stereo pitch shifter with vibrato & feedback. This device uses the pitchshift~ object to perform sound transposition. We've added a double LFO which acts as a pitch vibrato. Additionally, the device inserts the pitch transposer into a delay line to create the famous 'harmonizer' sound.
Dual Harmonizer – A dual-mono pitch shifter with vibrato and feedback. This device uses the pitchshift~ object to perform sound transposition. It is similar to the Pitch & Echo device, except that the stereo echo effect is split into two independent mono delay lines, so that each audio channel can be treated separately.
Multi Harmonizer – 10 notes/20 voices pitch shifter. This device uses the pitchshift~ object in a polyphonic patch structure, thus allowing multiple harmonizations. The DSP part of the patch is embedded into a poly~ container, allowing you to load an open number of instances of a patcher file, and thus allows the use of polyphonic audio synthesis, audio processing, or even control tasks.
Pitch Tracker – This device uses the retune~ object to perform some pitch tracking from monophonic input sound. The detected pitch can be monitored using a simple monophonic synthesizer. The estimated pitch and velocity are transformed into MIDI notes, which can be sent to other devices using the MIDI outlet when the device is used in Max. In Live, we use a special MIDI-side-chaining device, called 'Max MIDI Receiver,' in order to catch MIDI data from other devices such as the present one.
Mono Vocoder – A dual-mono vocoder. This device uses the retune~ object to force a monophonic signal to a given pitch, thus acting like a vocoder device. Pitch correction can be tweaked with some dedicated parameters, according to the type of sound that is processed.
Poly Vocoder – 10 notes/20 voices vocoder. This device is similar to the Mono vocoder device, but uses a polyphonic patch structure, thus allowing multiple harmonizations. The DSP part of the patch is embedded into a poly~ container, allowing you to load an open number of instances of a patcher file, and thus allows the use of polyphonic audio synthesis, audio processing, or even control tasks.
Autotuna – A scale-based microtonal auto-tuner that can use Scala files. This device uses the retune~ object to tune the audio to a given scale. Scales can be either entered by hand, or loaded from Scala files – a file format for musical tunings that is a standard for exchange of scales. Learn more about Scala.
Microtuner – A table-based microtonal auto-tuner that can use Scala files. This device is similar to the Autotuna example device, except that scales are entered using a graphic function whose shape can be curved, thus providing some unexpected pitch scales.
Max MIDI Sender & Max MIDI Receiver – In Live, audio and MIDI tracks don't communicate any MIDI data to each other. However, in some cases sending MIDI data to an audio effect might be useful: for instance, if you'd like to send a MIDI chord to a vocoder or harmonizer device using a MIDI keyboard.
Let’s be honest, we all love free stuff, especially free VST plugins for Ableton Live, Logic Pro, Cubase, Bitwig Studio or any other DAW! Tell me one electronic music producer doesn’t!
That’s why I’ve written up this review of my top choices for free plugins that you may want to check out and download to use in your music.
Speaking of free stuff, if you haven’t signed up to us yet, you can get free sample packs and tutorials by some of our featured artists from the BassGorilla Podcast – all you need to do is sign up here.
This list is in no order and may be expanded to include other plugins over time. Let me know in the comments if you know any other great free plugins at the bottom of this post!
1. SampleTank FREE
Windows, Mac OS X It’s insane that something as good as SampleTank could be free. It comes with a wide range of virtual instruments, from basses to drums, guitars, synths, organs, ensemble strings and orchestral sections, vocals and much more! You can upgrade to SampleTank 2L or 2.5 XL if you’re impressed with the quality of the sounds you hear in the free version. Cisco anyconnect secure mobility client mac.SampleTank FREE Sounds
- Sample based sounds (parent): 58
- Preset sounds (child): 146
- Combi sounds (combi): 0
- Total sounds: 204
- Total size: 579 MB
2. Flux BitterSweet v3
Windows, Mac OS X BitterSweet from Flux is a free transient shaper plugin. It works well for adding more ‘punch’ to your drums, especially your kicks, snares and toms. The extra punch comes when you turn the dial to the ‘bitter’ setting. You can soften the punch of a sound when you turn the dial towards the ‘sweet’ setting. It is available as a 32-bit and 64-bit plugin. Features:
- Output Gain, controlling the gain at the end of the processing.
- Bypass routes the incoming signal direct to the output for a true smooth transition between processed and clean signal.
- Three different transient processing modes:
- Main, using a regular stereo signal scheme for the processing.
- Center, processing the Mid channel only, very efficient for snare and kick drums.
- Stereo, processing the Side channel only, very efficient for panned rhythmic/transient instruments.
3. Glitch 2
Windows, Mac OS X, Linux Glitch is an audio effect plugin for Windows (VST), Mac (VST and AU) and Linux (VST), available in both 32-bit and 64-bit formats. Featuring a new and improved sequencer which can play multiple effects simultaneously, with the ability to trigger unique scenes from every note on your keyboard, Glitch can be as gentle or as brutal as you like. Add the occasional splash of re-trigger or stretcher to single hits within your drum loop, or fill the entire sequencer with random effect blocks for a totally chaotic trip down the digital rabbit hole… the choice is yours! Features:
- Each program consists of 128 scenes that can be triggered via MIDI notes. Each scene has its own unique sequencer pattern, timing, and effect settings, allowing you to create tons of unique variations for every moment in your song, all ready to go at the press of a key!
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- Multi-lane sequencer allows many effects to be played simultaneously, to create interesting layered sounds.
- Improved sequencer timing controls to better match your groove and song structure.
- Intuitive pattern editor with drag’n’drop. Draw, erase, resize, split and join blocks with ease.
- 9 cheeky little effect modules designed to slice, dice, chop, screw, twist, turn and mangle your sounds into radical new forms.
- Tempo-synced effects can easily be dialled in to precise musical timings such as 16th notes, 8th note triplets, and so on.
- Filter, mix, pan and volume controls on each module, to help shape and fine-tune the output.
Windows, Mac OS X Zebralette by U-He is just one of its big brother Zebra2’s oscillators packed into a simple, easy-to-learn framework – but you have everything you need to make some pretty amazing sounds. Sounds that can be directly loaded into Zebra2 later. And should you eventually decide to upgrade to Zebra2, you will already know everything there is to know about the oscillators. Zebralette has two LFOs (one per voice, one global), a multi-stage envelope and three on-board effects (chorus, EQ, delay). Not forgetting Zebra2’s famous dual spectral effects, which include several squelchy filter algorithms. Download Zebralette Here
5. Camel Crusher
Windows, Mac OS X CamelCrusher is a free ‘colouring’ multi-effect plugin. It offers two characteristically different distortion sounds which can be blended together to create a wide variety of tones and textures. Great for guitars, drums and plenty more! There’s also a warm, smooth analogue-style low-pass filter with buckets of resonance. Assign a MIDI controller and start tweaking! Finally, let’s not forget the easiest-to-use compressor you’ll find anywhere. It can ‘phatten’ up your sound as quickly as you can turn up the ‘Amount’ knob! Features:
- Two different distortion types.
- Warm, analogue-modelled resonant low-pass filter.
- High quality, easy-to-use compressor, with ‘Phat’ mode.
- Powerful ‘MIDI Learn’ function.
- A collection of useful Preset patches to get you started.
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- Randomize for instant inspiration.